PBR Workflow: Tools, Resources and Additional Reading
An Industry-Wide Revolution
The addition of physically based rendering to WorldViz products brings us into the fold of an industry-wide revolution in artist workflows. Physically based rendering has a few new concepts and methods compared to older methods, as well as some amazing new capabilities that simplify artist workflows an make sure that once an asset has been made once, it can be used anywhere without having to retouch the source files. This is a list of tools and resources to help you on your way.
Krzysztof Narkowicz's Interactive PBR Example
The most intuitive way to get a feel for the capabilities of a shader is often to simply mess around with some sliders and see how it responds. Krzysztof Narkowicz's embedded below from Shadertoy does just that, and even includes a realtime display of what's going on at the microsurface level.
Permalink: https://www.shadertoy.com/view/4sSfzK
Babylon.js GLTF Exporter for 3DS Max
At the moment, the best way to export models for use with Vizard's new PBR workflow is the GLTF format. GLTF stands for GL Transmission Format, and is designed as an engine-neutral way to deliver models ready for use with PBR conventions. The most popular GLTF exporter for 3ds Max is the one produced by the good people at the Babylon.js project.
Instructions for download and use can be found here:
https://doc.babylonjs.com/resources/3dsmax_to_gltf
Be sure to use the "scale factor" option to convert the units to meters for Vizard/Vizible use. e.g. if your 3ds max system unit is set to 1 unit = 1 cm, the scale factor to use in the exporter is 0.01.
Comparison to the old OSGB workflow
One of the awesome things about the approach is that cube maps are now part of environments instead of individual objects, so objects can be easily transferred between scenes and just reflect what's around them. This is as compared to having to manage reflections on a per-object basis with the old OSGB workflow, and having to replace them on every object anytime you want to bring it to a new scene. With this workflow, you make a prop once and it's done forever.
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PBR Workflow: Saving HDR Cube Maps From Inspector
Welcome to Inspector R6
If you've been working with WorldViz products for a while, you may already be aware of our visual editor, Inspector. Inspector allows for the inspection and manipulation of scenes, setting up realtime lighting, particle effects, Level of Detail nodes, and various other options.
New to Inspector in Vizard 6 is the ability to render out High Dynamic Range cube maps that can be processed in external programs for Image Based Lighting in a Physically Based Rendering workflow, such as in commercial tools like Lys, or freeware like IBLBaker.
Inspector is included with all installations of Vizard, and is unrestricted with all licenses including the free mode. If you don't already have a copy of Vizard installed and would like to try Inspector, download the free edition of Vizard here.
Start Inspector and Load the File
To start off, open up inspector from the start menu, then load your environment model using File > Open.
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Baking Lighting in 3ds Max: A General Overview, Part 2
Baking in Max can be a daunting process. Last time, in Part 1 we talked about what you need to get started, options for renderers, a few of the different kinds of bakes you can do, plus how and why to do test renders.
Part 2
This time, in Part 2, we go into the approach for Unwrapping, the details of Render to Texture, and the actual baking.
Part 1 | Part 2
Initial Bake
Unwrap Model
Bakes work by recording the lighting intensity for each point on a model's surface into a texture. This means that, under normal circumstances, you don't want any overlaps or tiling used in the UV channel that you bake to otherwise you may have some very strange results in your baked lighting. While unwrapping by hand produces the best results, automatic unwraps are usually more than enough. Bake UVs are usually unwrapped to channel 3.
There are a few common options for creating lightmap UVs for large numbers of objects. One is to use the automatic unwrap feature of Render to Texture, though this always groups matching material IDs together resulting in a lot of wasted UV space. Another option is to use a scripted tool written in-house called SteamRoller, which does a similar function but isolated from any other dialog and without requiring the material ID option. Paid plugins also exists that can do unwrapping, some of which also have their own special baking options.
